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natasha marin

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Lesson 1: Imagining Better Worlds
(Black Imagination)

 

  • Objective: Students will practice creative thinking by imagining a world where everyone feels loved and safe.

  • Activity: Read aloud 2–3 short responses from Black Imagination. Ask: What would your perfect world look like? Students draw or write a short paragraph describing their imagined world.

  • Wrap-up: Gallery walk of drawings. Discuss: What do these worlds have in common?
     

Lesson 2: Celebrating Joy (Black Powerful)
 

  • Objective: Students will identify and share what brings them joy.

  • Activity: Read a passage from Black Powerful that mentions joy (e.g., feeling belonging or being in community). In pairs, students share one thing that makes them feel joyful. They then create a “Joy Collage” on poster board with words or pictures.

  • Wrap-up: Reflect: Why is it powerful to share joy together?

elementary (grades 3 - 5)

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Lesson 1: Origin Stories (Black Imagination)
 

  • Objective: Students will reflect on the power of origin stories.

  • Activity: Assign excerpts where contributors share origins. Students write their own short “origin story” (Who am I? Where do I come from?).

  • Wrap-up: Peer-sharing in small groups. Discuss: Whose origin stories shape our history curriculum? Whose are left out?
     

Lesson 2: Claiming Power (Black Powerful)
 

  • Objective: Students will examine what it means to feel powerful.

  • Activity: Read a set of responses to “When do you feel most powerful?” from Black Powerful. Students write a journal response: When do I feel most powerful, and why?

  • Wrap-up: Circle discussion about individual vs. community power.
    Optional: connect to current events or social justice movements.

high school (grade 9+)

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Lesson 1: Healing Practices
(Black Imagination)

 

  • Objective: Students will explore personal and cultural ways of healing.

  • Activity: Review responses from the Healing section (like eating peaches, writing letters). In groups, students brainstorm their own everyday healing practices (journaling, music, spending time with friends).

  • Wrap-up: (Group share) Teacher highlights diversity of healing and the importance of recognizing both personal and historical wounds.
     

Lesson 2: Representation in Media
(Black Powerful)

 

  • Objective: Students will critically analyze how Black people are represented in popular media.

  • Activity: Students collect 3 images of Black people from magazines, TikTok, or TV (teacher can pre-select age-appropriate examples). In class, they sort them into categories (e.g., athlete, celebrity, student, community member). Then compare with excerpts from Black Powerful that highlight diverse realities.

  • Wrap-up: (Discuss): What stereotypes do we see in media? How are they different from the voices in Black Powerful?

middle (grades 6 - 8) 

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Black Imagination and Black Powerful are incredibly flexible collections that fit across disciplines. Below is a list of college-level departments + course types where these books could live on syllabi, along with suggestions for how they might be used:

Humanities & Social Sciences
English / Literature

  • Contemporary African American Literature — paired with Jesmyn Ward, Claudia Rankine, or Kiese Laymon.

  • Experimental / Hybrid Forms — example of blending oral history, poetry, and ethnography.

  • Creative Writing Workshops — prompts for student writing (origin stories, imagination, power).

Africana / Black Studies

  • Introduction to Black Studies — grounding text that foregrounds Black voices without mediation.

  • Black Feminist Thought — in dialogue with Audre Lorde, bell hooks, Saidiya Hartman.

  • Diaspora Studies — transnational lens on imagination, power, and belonging.

Anthropology

  • Ethnographic Methods — study of Black Imagination’s and Black Powerful’s oral archive methods.

  • Cultural Anthropology — examples of everyday rituals, origin stories, and healing practices.

  • Anthropology of Race & Representation — critical analysis of media stereotypes vs. lived voices.

Sociology

  • Race & Ethnic Relations — exploring stereotypes, joy, and resilience.

  • Social Movements — framing Black futures and power as collective projects.

  • Identity & Intersectionality — applied examples of Black LGBTQ+, disabled, and incarcerated voices.

Philosophy / Ethics

  • Critical Race Theory — voices that embody lived critique of systemic racism.

  • Aesthetics — discussions on the politics of imagination and representation.

  • Existentialism & Identity — origin stories as acts of self-definition.
     

Arts
Theatre / Performance Studies

  • Performance of Identity — staging excerpts as monologues or gallery walks.

  • Community-Based Theatre — texts as models for devising participatory performance.

Visual Arts / Media Studies

  • Critical Media Studies — use in projects that deconstruct Black representation in media.

  • Studio Arts — inspiration for collage, visual archive, and installation projects.

Music / Ethnomusicology

  • Black Sound & Identity — connecting audio/oral archive form to Black musical traditions.

  • Improvisation & Jazz Studies — exploring imagination as a sonic practice.
     

Social Work, Psychology, & Education
Psychology

  • Trauma & Resilience — using “healing” sections to discuss coping strategies.

  • Community Psychology — models of collective healing and belonging.

Education

  • Culturally Responsive Pedagogy — integrating Black voices into curricula.

  • Multicultural Education — as classroom texts paired with teaching guides.

Social Work

  • Race, Equity, and Practice — narratives for empathy, identity exploration, and anti-bias training.
     

Interdisciplinary & Professional Programs
Gender, Women’s & Sexuality Studies

  • Intersectionality in Practice — amplifying marginalized Black voices (LGBTQ+, disabled, incarcerated).

Ethnic Studies / American Studies

  • Contemporary American Identities — situating Black futures within broader cultural shifts.

Public Health / Nursing

  • Narratives of Healing — qualitative insights into health, self-care, and systemic trauma.

Law / Criminal Justice

  • Race and the Justice System — voices of incarcerated contributors as counter-narratives.

college & university

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