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natasha marin
Lesson 1: Imagining Better Worlds
(Black Imagination)
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Objective: Students will practice creative thinking by imagining a world where everyone feels loved and safe.
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Activity: Read aloud 2–3 short responses from Black Imagination. Ask: What would your perfect world look like? Students draw or write a short paragraph describing their imagined world.
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Wrap-up: Gallery walk of drawings. Discuss: What do these worlds have in common?
Lesson 2: Celebrating Joy (Black Powerful)
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Objective: Students will identify and share what brings them joy.
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Activity: Read a passage from Black Powerful that mentions joy (e.g., feeling belonging or being in community). In pairs, students share one thing that makes them feel joyful. They then create a “Joy Collage” on poster board with words or pictures.
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Wrap-up: Reflect: Why is it powerful to share joy together?
elementary (grades 3 - 5)
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Lesson 1: Origin Stories (Black Imagination)
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Objective: Students will reflect on the power of origin stories.
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Activity: Assign excerpts where contributors share origins. Students write their own short “origin story” (Who am I? Where do I come from?).
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Wrap-up: Peer-sharing in small groups. Discuss: Whose origin stories shape our history curriculum? Whose are left out?
Lesson 2: Claiming Power (Black Powerful)
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Objective: Students will examine what it means to feel powerful.
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Activity: Read a set of responses to “When do you feel most powerful?” from Black Powerful. Students write a journal response: When do I feel most powerful, and why?
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Wrap-up: Circle discussion about individual vs. community power.
Optional: connect to current events or social justice movements.
high school (grade 9+)
3
Lesson 1: Healing Practices
(Black Imagination)
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Objective: Students will explore personal and cultural ways of healing.
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Activity: Review responses from the Healing section (like eating peaches, writing letters). In groups, students brainstorm their own everyday healing practices (journaling, music, spending time with friends).
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Wrap-up: (Group share) Teacher highlights diversity of healing and the importance of recognizing both personal and historical wounds.
Lesson 2: Representation in Media
(Black Powerful)
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Objective: Students will critically analyze how Black people are represented in popular media.
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Activity: Students collect 3 images of Black people from magazines, TikTok, or TV (teacher can pre-select age-appropriate examples). In class, they sort them into categories (e.g., athlete, celebrity, student, community member). Then compare with excerpts from Black Powerful that highlight diverse realities.
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Wrap-up: (Discuss): What stereotypes do we see in media? How are they different from the voices in Black Powerful?
middle (grades 6 - 8)
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Black Imagination and Black Powerful are incredibly flexible collections that fit across disciplines. Below is a list of college-level departments + course types where these books could live on syllabi, along with suggestions for how they might be used:
Humanities & Social Sciences
English / Literature
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Contemporary African American Literature — paired with Jesmyn Ward, Claudia Rankine, or Kiese Laymon.
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Experimental / Hybrid Forms — example of blending oral history, poetry, and ethnography.
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Creative Writing Workshops — prompts for student writing (origin stories, imagination, power).
Africana / Black Studies
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Introduction to Black Studies — grounding text that foregrounds Black voices without mediation.
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Black Feminist Thought — in dialogue with Audre Lorde, bell hooks, Saidiya Hartman.
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Diaspora Studies — transnational lens on imagination, power, and belonging.
Anthropology
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Ethnographic Methods — study of Black Imagination’s and Black Powerful’s oral archive methods.
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Cultural Anthropology — examples of everyday rituals, origin stories, and healing practices.
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Anthropology of Race & Representation — critical analysis of media stereotypes vs. lived voices.
Sociology
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Race & Ethnic Relations — exploring stereotypes, joy, and resilience.
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Social Movements — framing Black futures and power as collective projects.
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Identity & Intersectionality — applied examples of Black LGBTQ+, disabled, and incarcerated voices.
Philosophy / Ethics
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Critical Race Theory — voices that embody lived critique of systemic racism.
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Aesthetics — discussions on the politics of imagination and representation.
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Existentialism & Identity — origin stories as acts of self-definition.
Arts
Theatre / Performance Studies
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Performance of Identity — staging excerpts as monologues or gallery walks.
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Community-Based Theatre — texts as models for devising participatory performance.
Visual Arts / Media Studies
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Critical Media Studies — use in projects that deconstruct Black representation in media.
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Studio Arts — inspiration for collage, visual archive, and installation projects.
Music / Ethnomusicology
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Black Sound & Identity — connecting audio/oral archive form to Black musical traditions.
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Improvisation & Jazz Studies — exploring imagination as a sonic practice.
Social Work, Psychology, & Education
Psychology
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Trauma & Resilience — using “healing” sections to discuss coping strategies.
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Community Psychology — models of collective healing and belonging.
Education
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Culturally Responsive Pedagogy — integrating Black voices into curricula.
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Multicultural Education — as classroom texts paired with teaching guides.
Social Work
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Race, Equity, and Practice — narratives for empathy, identity exploration, and anti-bias training.
Interdisciplinary & Professional Programs
Gender, Women’s & Sexuality Studies
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Intersectionality in Practice — amplifying marginalized Black voices (LGBTQ+, disabled, incarcerated).
Ethnic Studies / American Studies
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Contemporary American Identities — situating Black futures within broader cultural shifts.
Public Health / Nursing
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Narratives of Healing — qualitative insights into health, self-care, and systemic trauma.
Law / Criminal Justice
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Race and the Justice System — voices of incarcerated contributors as counter-narratives.
college & university
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